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These economic realities are a huge challenge to both fairness and diversity for authors. Yet, while the debate on diversity and representation rages in the genre – in particularly in the US – almost no one is discussing the how economics of being an author silences the working class. ...

This leads us to the question of George R. R. Martin’s sister. In Virginia Woolf’s classic feminist essay ‘A Room of One’s Own,’ Woolf invents a woman called Judith Shakespeare. In essence, while Judith possessed all the talents of her brother William, because she was a woman she couldn’t got to school, and because she had no education her talents went to waste, unexpressed.

In this vein we will take GRRM’s imaginary sister, Georgia – a woman, we will assume, with all the talent of her brother. The answer to the question of whether Georgia would have made it as a writer in today’s economic climate is simple: she very likely wouldn’t. Women in the US have a higher risk of being downwardly mobile and working class women find it harder than men to escape their social class (and it is bloody hard for men).

Imagine Georgia working long hours in the service industry for minimum wage – a wage that has declined in real terms over the past twenty years – coming home exhausted, barely able to cover the cost of food and rent. No spare money, no spare time, a university education beyond reach, and not even a public library nearby. The itch to write never scratched between six-day working weeks, raising children, and the moment head touches pillow. ...

Modern inequality, social immobility and an inability to talk about class means that at least half of the population are close to being locked out of the profession. They are the silent majority, a rare and disappearing breed, and their stories are not being told. While this endures, the breadth and perspectives of the fiction coming out of the genre will be diminished.

This Old-Fashioned Printing Shop Knows Where It’s @: Fans of Movable Type Buy Up Symbols for Modern Era; ‘#great bargain’

“There is something magical, almost mystical, in creating the printed word,” says Mr. Barrett of Letterpress Things, “When a person sees something that has been letterpress printed there’s a dimensionalism there, there’s a depth. You’re not just seeing a flat surface like a page out of a magazine, you are now…looking into a space.”

A fun, light video and article, but NGL, I am, er, out of sorts (see what I did there?) that they interviewed an old white dude to talk about letterpress printing--especially when it opens up with, "I had no idea what a 'hashtag' was, and then golly, I saw it as a pound sign!"

In contrast, note that Ladies of the Press features younger women as printers and artists. Just sayin'.

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